WHO KNEW WHAT MARY KNEW (Another Look at a Popular Holiday Song)

With all the hubbub over the classic holiday song, Baby, It's Cold Outside, it's easy to forget another Christmas offering that has been the subject of derision in recent years.

We're speaking, of course, about the iconic Mary, Did You Know? This hauntingly beautiful song, written by Mark Lowry, has been covered by dozens of artists over the years such as Kenny Rogers, Cee Lo Greene, and Pentatonix. It has become a staple of most modern holiday albums. It is a poignant song about the fact that Jesus was not just an ordinary baby, but none other but the great I AM. At its core, it highlights the deity of Christ, a central doctrine of the historic Christian faith.
Why do some feel it is their life mission to snipe and point out the flaws in such a moving tune?

Yet, snipes come. And surprisingly, most of the vehemence comes from Christian circles. Theologians smugly smile and point out that Mary did indeed know how special Jesus was. Most trot out doctrinal distinctives the same way they point out how silly it is to have three wise men at the manger when every knowledgeable believer knows that there were more than three wise men and they did not show up until two years later at Joseph's house. Others are a little more blunt, saying, "I hate this song--of course, Mary knew!" There's even a post that questionably changes the lyrics to read, "Mary freaking knew. . .that her baby boy. . .would someday walk on water . . ."

Yes, Mary knew. Maybe not every specific detail of Jesus' life and ministry (since they had not happened yet), but yeah, she knew that Jesus was not just a baby in the manger. Nobody disputes that.

What the "Christmas critics" don't seem to get is that the question, "Mary, did you know. . ." is a rhetorical one. Like an interviewer who asks a marathon winner, "who got to the finish line first?", the singer of this song is not fishing for information, but reinforcing what is already known. He or she is not interrogating Mary, but reminiscing with her.

And really, most importantly: the song isn't for Mary. It's not about her or what she knows or knew or anything. It's not actually asking Mary if she knew.

It's asking us if we know.

Did we know that the Baby in the manger that we so casually reference every December is none other than God in human flesh? That He came for a purpose, a reason, a terrible, tragic, exciting, blessed mission to save mankind from sin?

And does knowing this make a difference in our lives? In your life?

The problem is, a lot of people don't know. And a lot of people who do know, don't really believe it.
As we prepare for Christmas, may we realize that the little baby in the manger is indeed Lord of all creation and that He is the great I AM: God in human flesh.

Do you know?

TIM'S TOP FIVE: DECIDEDLY DIFFERENT DISNEY COVERS

I like all kinds of music and genres, from rock to Gregorian chants. I especially enjoy music covers, when different artists perform an established song. And if they can do it in a different style or genre, all the better. It's cool to hear a rock anthem performed like a country ballad or a classical piece given a heavy metal twist. When artists have a different take on a popular song, I find myself listening to the lyrics more closely.

Today, I'm going to count down my top 5 different covers of Disney songs. Why Disney? Disney has had a big influence on music in our culture, and Disney songs have likely been covered hundreds of times by hundreds of artists.  I chose these particular tunes because of their slightly different approach to the songs.  Yes, this is a highly subjective list and there are no doubt many songs that could be included (if you have a favorite, list it in the comments below!). And who knows, next month or year I might claim a different list.

Another disclaimer: I do not necessarily endorse the individual performers in these videos or do any extensive research as to their background, values, and political views. So please do not say, "hey, I heard that guy kicks puppies, so why is he on this list?" For now, just enjoy and evaluate the songs. If someone indeed is on America's Most Wanted, I'll write about that another time.

5.  "I'll Make a Man Out of You" (Mulan)  Jackie Chan (in Chinese). 
Martial arts star Jackie Chan shows he has some halfway decent singing chops as he performs this standard from Mulan. The video is full of Chan's martial arts moves, which are more than halfway decent.

4. "I Have No Strings" (Pinocchio) Ultron
This isn't strictly a cover, but it makes you think. It was featured prominently in the trailer to the hit movie Avengers: Age of Ultron, about a maniacal sentient robot who wants to wipe out humanity. By sampling Pinnochio and bringing in Ultron to some deep dark music, it is genuinely creepy and well done. (the folks at the pop culture parody sight How it Should Have Ended have a fun take on this in their video).

3.  "Let It Go" (Frozen) Daniel Taylor
"Let It Go," the song that launched a million covers, is an inspiring and motivational song. But enter this artist who uses numerous Disney characters to belt out the tune. His skill in transitioning from one voice to another is fun to watch.

2.  "Prince Ali" (Aladdin) Jonathan Young
Metal is not my thing, unless I can understand the words. In this video, we are given a hard, energetic translation of the "Prince Ali" song that allows us to hear every single word clearly and forcefully.

1.  "Friend Like Me" (Aladdin)  Bri Ray
When I first saw this video, I was stunned. Bri Ray is not only an incredible singer, but an actress whose facial expressions and body language fit this song perfectly. Yes, it reminds me of Robin Williams' original performance, but in a unique, fresh way that would suggest, "What if the Genie was a young woman?"  Seriously, it's that good.

What are your favorites? Suggestions? Rebuttals (be nice!)? Use the comment section below.

.

AN OPEN LETTER TO CARTOON NETWORK

Dear Cartoon Network:

Many years ago, I heard that one of the perks of basic cable was this channel that ran many of the classic cartoons I grew up with. Sadly, by the time I joined the 21st century and got hooked up, many of the "oldies but goodies" had been replaced with more modern stories and original programming. My visits to Cartoon Network became very scarce. Then came the programming block known as "Adult Swim." My periodic visits to CN slowed to none.

So imagine my surprise--well, not "surprise", more like "oh really?"--when I heard about Black Jesus, described as a hard drinking, weed smoking, obscenity spewing take on the Savior of the world.  I watched the trailer for the series, complete with bleeped parts, and wondered, "did anybody at Cartoon Network think this through?"

I mean, seriously!  After my initial revulsion, and after reading some articles and comments about the show, I understand the premise.  The title character is not intended to be the real Jesus (as if anybody would mistake him for the genuine article). Instead, he is a crazy homeless man who thinks he's Jesus.  I get it.  The plot line of someone thinking he is the Son of God has been done in books, plays, tvs, and movies.  When done well, the device can call attention to the role of religion and identity, the plights of the mentally ill, and society's reactions to those who are different.  But based on the trailer, I feel as though Black Jesus totally misses the opportunity to explore these weightier issues.

I haven't seen every representation of "disturbed man thinks he's Jesus," but in the ones I have seen and remember, the deluded individuals tend to almost out-Jesus Jesus. In other words, they take the meek, quiet, loving stereotype of Jesus to the nth degree, making him almost super meek, super quiet, super loving and gentle, with pious platitudes and all.   Black Jesus, on the other hand, is crude and foul mouthed and violent.  Aside from self-identifying himself as "Jesus," there is nothing in his actions, attitudes, or speech that would identify him as Jesus. Little kids certainly are not going to want to be around him. He is a stereotype, not of the Lord, but of a hardened gang banger or street thug. The opportunity to comment on bigger issues is lost.

Is Black Jesus satire or parody?  I don't know. I have seen some excellent and amusing sketches about Christians, Christianity, and even Jesus. I've also seen a lot that fall flat with Christian audiences. Why? Because the writers of these comedies go for the quick laugh by trying to make fun of a caricature.  They rely on exaggerated claims, half-truths, and prejudices and play these things for chuckles.  It works for audiences who don't really know the subject of the parody, but comes across as cheap and even mean to those who do. You may have the noble goal of lampooning society's attitude toward those who are different.  You may even believe that your interpretation of Jesus sticks it to church hypocrites. But unless you make it very clear that the "Jesus" of this show is a crazy, homeless man, it's just going to fall flat as "cutting edge" social satire or parody or even plain comedy.

Why use Jesus? My sneaking suspicion is that the writers and producers got together and somebody meekly raised his hand and asked, "Excuse me, but won't this offend Christians?" To which the head echelon chuckled and said, "Golly, gosh, yeah it will." I've already seen comments from supporters of the series lauding the show and chiding the faithful for their objections.  Cartoon Network appears to say, "Yeah, we're taking potshots at your Lord and Savior.  You got a problem with that?"

So, Cartoon Network, here's the thing: based on the trailer and the initial comments, I think Black Jesus fails as social commentary, fails as satire, and only succeeds in being deliberately offensive to the Christian community. I don't know your demographics to know how many evangelical, Bible-believing Christians tune in to Adult Swim. I'm sure the born again market won't be watching Black Jesus. I will not be watching and I will not recommend it to my friends. There will be an audience, but I doubt you will win any converts.

Sincerely,

Timotheous

SECOND LOOK: WHY THE BIBLE ISN'T LIKE THE BIBLE

The third installment of The Bible mini-series has just aired. Jesus has been born, tempted, and calling disciples, even as John the Baptist is being beheaded (oops, sorry, spoiler alert!).

Some "off the grid" folks wanted me to give them a bottom line, thumbs up-or-down evaluation of the mini-series. Apparently, my previous review confused them.  Did I like it or not?  And as I re-read my review of part one, and as I monitor the countless comments and reviews on Facebook and other sources, then yes, there is a mixed reaction, a confusing set of approvals and disapprovals, sometimes in the same post!

So why the confusion? Let me share my gut feeling.

There are really two "Bibles" here (before you take up stones to stone me, let me explain!). As a Christian, I believe the Bible is the inspired, inerrant, infallible, authoritative Word of the Living God, sufficient in all matters of faith and practice. But to others, the Bible is a collection of morality tales. A producer can easily portray the latter, but will never be able to accurately portray the former.

Media transfers are difficult. I ended my previous post with the phrase "The Book is better;" that is, I find the source material far more superior than most derivatives. This actually holds true for most publications that have been adapted into a movie or TV show. A movie maker has maybe 30 seconds to show a scene that took up 12 pages in a novel. Even the most "faithful" of adaptations take certain liberties. So when people say The Bible series is not like the Bible, they're right.

But furthermore, no matter how well intentioned a producer may be, they're not going to get it all down. One of the critical reviewers was upset because, not only does the series leave out a lot of material, but it does not explain how the events of the Old Testament tie in to God's redemptive plan revealed in the New. In other words, "why can't The Bible be more of a complete expositional message?" When I think of the many hours spent in Bible survey and introduction classes in college, the answer is obvious: it's not realistic to have a 45 hour mini-series!  With all due respect to those who wonder why The Bible isn't more like the Bible; well, what did you expect?

But I also believe that the positioning of this mini-series was off.  "Positioning" is a marketing term referring to the image or identity of a product in the minds of the consumers. The Bible was pushed and promoted as a way to introduce people to the Book of Books so they might read and study it more. There were whole curriculum packages made so churches could ride this wave. I haven't seen the materials, but I suspect that, in the end, if Bible studies were launched, they were focused more on correcting the unfortunate portrayals in the mini-series and filling in the expository blanks.

The Bible mini-series is what it is: an adaptation of stories from the Bible. Marketing aside, it is entertaining and well produced.  But in the end, it's not that different than dozens of other adaptations of stories from the Bible. If people are drawn to the Scriptures because of what they saw, I'm okay with that. My hope is that they follow up in a good, Bible-teaching church. Not only will they discover the real Bible, but they will also get to personally know the Author of the Book.

MINI-REVIEW: THE BIBLE MINI-SERIES ON HISTORY

This is a review of The Bible mini-seies, part 1.  It contains details and plot points about the show. If you have not seen it yet and/or you do not want details about it, don't read any further.

Last night (March 3), the History Channel rolled out The Bible, a mini-series brought to us by Mark Burnett (Survivor) and Roma Downey (Touched by an Angel).

First of all, I applaud the effort to increase Biblical literacy. Mark Burnett and Roma Downey have been very public about wanting more people to get into the Scripture. In this day and age of increasing hostility to Christian ideas and values, this is a good thing. I also liked the production values.  Although not necessarily epic in its depictions, it does show life in the desert as dirty and sweaty and man's relationship with God as sometimes challenging.

Most of the instances of "creative license" can be overlooked.  For example, the Bible doesn't depict Sarah figuring out that Abraham was going to sacrifice Isaac, whereupon she dashes up the mountain to stop him. On the other hand, it doesn't say she didn't do that and the scene does not change the event itself.  The announcement to Sarah that she would have a child was a little eerie to my mind, with a shadowy figure whisping through the tent and disappearing while talking to Sarah. But that doesn't ultimately hurt the Biblical text either.

But the part that got me was (wait for it!)...the Ninja Angels! In Genesis, we read that the men of Sodom were struck blind, so that they grew weary trying to find the door. whereupon the two angels led Lot and his family out of the city.  But in The Bible version, the two angels cast off their cloaks to reveal armored warriors (okay so far).  They then strike the men at the door with some painful condition (I always imagined a bright light, but okay...struck blind...got it!).  And then the angels pull out their swords (no problem necessarily, since the Bible does speak of some angels having swords) and then engage in an extended, martial arts style fight sequence with the armed men of Sodom as they lead Lot out of the city.  It was a neat scene, it was an exciting scene, but one that made me both laugh and shake my head at the same time.

Again, I do not want to disparage any sincere effort to introduce people to the Book of Books. Even the inaccuracies can prompt teachers and students to dig in the Scripture and say, "Hey, this is what the Bible really says...". But ultimately, for me, there's nothing really new here. There have been dozens of dramatizations of Biblical events over the years. Some are high budget, epic depictions (The Ten Commandments), some are evangelistically motivated (Jesus), and yes, there are a few that were so inaccurate and awful that I have to wonder what drug the producers were using at the time (NBC's Noah's Ark). But as good and positive as The Bible mini-series is; frankly, I've seen it all before.

The Bible mini-series is sincerely motivated, respectful in it subject matter, and better than most made-for-television productions. I have not seen any of the accompanying resource material (study guides, curriculum, and so on), but it is being pushed heavily within the evangelical world. But for me, the shortest summary is the one that holds true to a host of adaptations from literature:

"The Book is better."

A COUPLE OF MUSICAL FAMILIES YOU SHOULD KNOW

There is a certain percentage of children's ministers, workers, and parents out there who already know and love the performers I'm about to highlight.  For those who have never heard of them or their music, they are worth a check.  The neat thing is that these groups involve their own families.

Rob Biagi
Website: www.thatrobguy.com

from the Rob Biagi website

Rob has travelled all over the country and in many parts of the world making music for kids and their families.  His wife Kathleen choreographs the songs and Rob's son and daughters frequently perform with him on stage. 

I've had the honor of meeting Rob a couple of times at the Children's Pastors' Conference in San Diego, as well as attending one of his workshops.  He is genuine in his passion for the Lord and ministry. If this is your first exposure to Rob Biagi, then I recommend going to the website, exploring the content (he's got samples!), and then picking up some resources.

Justin Graves Band
Website: www.justingravesband.com

from the Justin Graves website

Hailing from the great state of Texas, Justin and his family perform in churches and venues throughout the United States.  I first heard Justin, Michelle, and Gabi at CPC in San Diego and was instantly blessed by their simple, yet profound worship and praise.  I met Justin at his booth later on and was impressed by his humbleness and desire to lead people in worship.

I woke up this morning with "Strong and Courageous" going through my head, so you know that Justin's music has "sticking" power.  Go to the website listed above, check out the pictures and videos, and get hooked up with some great music.


One last note: both Justin and Rob are on Facebook as well as YouTube.

MINI-REVIEW: THEO & WHAT'S IN THE BIBLE

One of the blessings and curses of our modern era is the overwhelming abundance of materials available for children’s ministry. Much of it is creative, innovative, and fun. But let’s face it: some of it is like a chocolate Easter bunny…very appealing on the outside, but nothing really on the inside.

In my humble opinion, What's In the Bible by Phil Vischer and Theo by Whitestone Media's Michael Joens represent two of the most significant resource developments in children's ministry in the last couple of years. They are fun and entertaining, to be sure, but you will not find any hollow recesses. Instead, under their whimsical entertainment is something that few children’s ministry resources have attempted to do: educate children in Bible survey and (gulp) theology!

Take Mr. Vischer’s What’s In the Bible for instance. This video series features Buck Denver and the other puppet stars of his popular Jelly Telly webcast as they examine each book of the Bible. The kids love the silly characters and their interactions. And there are just enough grown up level jokes to keep the parents tuned in. But in between the laughter and the memorable songs, the viewer is led through a discussion of the writing and major themes of each book. Strip away the puppets, humor, and music, and you’d have the syllabus for an “Introduction to the Old Testament” course.

The newest entry in the dvd market is Theo, a kindly old man who lives in a cottage with two pesky mice. I received a preview dvd at a conference and showed it to some kids at our church. It was an instant hit! The animation is superb and the mice, who serve as the comic foils and unwitting object lessons, bring in the visual chuckles that keep kids entertained. The style is reminiscent of the old McGee and Me and Adventures in Odyssey (which is no coincidence, since creator Michael Joens produced and directed both). But again, the method of fun animation is a means to teach systematic theology. In this day when adult church goers tend to recoil at the very word “theology,” the Theo series is like a breath of fresh air.

Now both What’s In the Bible and Theo have their weaknesses (and I’m sure they have their critics). Sometimes the narrative portions of the Jelly Telly gang are a little long. A couple of times, as Phil was explaining something, I wanted to raise my hand and ask a question challenging his statement. But the fact that I wanted to engage on an intellectual level shows that the series is not mere fluff. As for Theo, I only have the sample to work with, but the segments were very short, making me wonder if there is more (a full scale curriculum is in the works). Appropriate parental interaction is encouraged, not that there is anything bad in either series, but because there is so much that is good (plus doesn’t every parent long to learn about soteriology alongside their six year old?).

What’s in the Bible has been on shelves for about a year or so. I don’t know (as of today) if Theo is in wide release yet, but keep checking.

If only my professors in college taught like this…..

OH WHERE, OH WHERE COULD THEY BE?

Michaeel Chanley, the creator of CMConnect, has created a fun, interactive way for children's ministers and workers throughout the country to find others of like mind and ministry:

imakidmin.com: "
"

So if you are part of this great adventure known as "children's ministry", check it out.

MINI-REVIEW: THE DREAMING HIGHWAY by Bryan Thompson

I have a confession to make: I don't read a lot of books like The Dreaming Highway. My tastes run more toward Tom Clancy, John Grisham, and assorted non-fiction works. But Bryan Thompson has delivered a story that is refreshingly free of explosions, intrigue, tawdriness, politics, vampires, or Amish romance and instead paints a picture of a journey of hope.

Former seminary student Seth Reynolds is troubled by a recurring dream about a former flame. This dream propels him on a cross country journey, accompanied by his brother (who happens to be gay), a televangelist priest, and a young woman who is studying to be a rabbi. Although it may sound like the opening line of a joke ("a priest, a rabbi, and a minister go on a trip..."), each character is vested in a rich humanity that defies stereotype. The trip is infused with a subtle humor, which brings a smile at some of the odd situations in which Seth finds himself.

The Dreaming Highway wisely avoids the pitfall of pontification, while presenting the themes of following one's dream and holding on to hope in spite of circumstances. In fact, the novel reads like a movie--not the major studio summer blockbuster kind, but rather an artful indie film, the kind that wins the hearts of viewers and critics alike.

I recommend getting a cup of coffee and settling down with a copy of The Dreaming Highway. I'm looking forward to more from Bryan Thompson.

MINI-REVIEW: G.I. JOE: THE RISE OF COBRA

G.I. Joe is back in a big budget action packed movie entitled G.I. Joe: The Rise of Cobra. And if you have any fond memories of the 1980's cartoon series, you can forget about them. This movie charts it's own mythology in the Joe franchise.

The action centers on Duke and Ripcord, two soldiers who link up with the top secret G.I. Joe unit. Their mission: keep a new, dangerous weapon of mass destruction out of the hands of a ruthless terrorist organization. And that is pretty much it. The action moves at a steady pace and the stunt sequences are very impressive. G.I. Joe: The Rise of Cobra is a very LOUD movie, with explosions, weapons fire, and high-tech aircraft screaming everywhere. If you can stand the sheer sound barrage, it's not really a bad movie.

What keeps this movie from being really good or great is the sheer weight of its own material. The G.I. Joe team has dozens of members, making it impossible to highlight more than a handful. The good guy/bad guy combos of Snake Eyes/Storm Shadow and Duke/Baroness are developed a little, as is Destro. But there is a limit to how many "biographies" you can showcase in one movie. The producers are left with little choice than to either ignore or kill off certain characters.

G.I. Joe also suffers from an identity crisis. At some points, it is like a classic military drama (albeit with some sci-fi undertones). But at other points, it becomes a live action cartoon. I got the distinct impression that it was trying too hard to "be like the toys" in some cases. In my opinion, the movie would have looked better if it dropped the franchise connection and stuck to one kind of storytelling.

This new G.I. Joe is not "a real American hero" either. Instead, it is a multi-national task force, with members from around the globe. Again, just an opinion, but I believe a subtle dose of patriotism would have benefited this movie greatly. Even so, there is a definite theme of camaraderie and working together that is cliche but effective.

At best, G.I. Joe: The Rise of Cobra is a slam bang, action packed guy flick. It is not suitable for children due to the level of violence and occasional profanity. Most of the violence is action-adventure kind of violence, with a lot of explosions and crashes. Unfortunately, there is no depiction of the innocent bystanders and how they may have been injured or killed during the skirmishes between the heroes and villains. As for the profanity, it is contextual and (thankfully) limited. Not that I want to hear it at all, but I've known soldiers and sailors who can let loose with a lot worse far more frequently. G.I. Joe is more restrained, in spite of the intensity of action.

Aside from a few catch phrases ("knowing is half the battle") and inside jokes about lifelike hair (from the 70's Adventure Team commercials), there are no real nods to either the action figures, cartoons, or comics. This is a new G.I. Joe, almost a reinvention. Time (and fans) will tell whether this new Nato-friendly team will prevail over the "real American hero" version.

G.I. Joe: The Rise of Cobra is rated PG-13.

A Brief Review of The Shack

The following is a brief review of William P. Young's The Shack. There are longer reviews that give a lot more details (Google away!), but I just wanted to sum up my thoughts in a concise fashion because I've been stopped in the hallway and asked, "Have you read this book yet?" "Whadja think of it?" and so on. The opinions are my own and may not necesarily reflect the views of my church, my friends, or the Christian community in general. And as always, if you disagree, please do it nicely. :-)

"Look for the main points and don't get too theologically nit-picky!"

With that admonition echoing in my mind, I began to read The Shack by William P. Young, about a man named Mackenzie Allen Philips, whose young daughter is brutally murdered in the woods of Oregon. In the midst of his grief ("the Great Sadness", as it is referred to), Mack receives a mysterious note inviting him to the shack where the murder took place to spend the weekend with "Papa", which is the family's term of endearment for God. What follows is a colorful and eye-popping dialogue as to the nature and ways of God in a mixed up world.
Since I seem to have a reputation for being "theologically nit-picky," it may be surprising to know that I found several things to like about the book. So I want to start this brief review with the positives.

The Shack is an intensely interesting and well-written book. I found myself drawn into the disorientation of Mack, as well as his questions, to the point of wanting to keep reading in hopes of finding the answers. The author is to be commended for writing such a compelling book.
The novel challenged me to look at God "outside the box." Too many times, we tend to lock God into a denominational or traditional mold, while forgetting that He is infinitely greater than what we can conceive with our minds. It's good to have a reminder that His ways are not our ways.
I have prayed many times to see a problem or circumstance from God's perspective. The Shack attempts to do just that. If only we could see children and their parents and the world with God's eyes (as in the Brandon Heath song "Give Me Your Eyes"), it would surely change the way we do ministry. Also heavy in the book is the theme of forgiveness…poignantly showing the importance of forgiving others, even those who have done the unspeakable. After all, while we were yet sinners, Christ died for us. God's forgiveness humbles Mack…and it humbles me as well.

For a mature believer strong and knowledgeable in the faith, The Shack reads like a modern day parable. But the novel is not without some areas of concern and caution. While creatively portraying God's love, mercy, and grace, The Shack is silent regarding His perfect justice and wrath. It speaks glowingly of the need for and benefits of being in a right relationship with God (true!), but neglects to detail the alternative. Indeed, it is hard to picture "Papa" as being "angry with the wicked every day" (Psalm 7:11).

The First Person of the Trinity is portrayed as a woman, because Mack has struggles with a father figure. While it is true that God at times is spoken of with "motherly" characteristics, the overwhelming revelation of God in the Bible is as "Father." I would be hard pressed to find Scriptural examples of God casually assuming a manifestation in order to accommodate a human's perception. Indeed, given that "no man has seen God at any time", the very physical appearance of God the Father and God the Holy Spirit is problematic.

I'm reminded of a quote I heard long ago: "Christians are so worked up about what the Bible says, they don't know what God thinks." Perhaps my biggest concern with The Shack is the deafening lack of the Bible as the source of authority. There are several occasions in the book where Mack's seminary training and Biblical knowledge are discounted in favor of the current experience. Absolutes are set aside in order to explore the mind of "Papa". In short, The Shack comes across as a book for some sectors of the emergent generation, a theological approach that relies on exploration and conversation rather than theological absolutes.

The Shack is a good read, especially for those who struggle with grief and forgiveness. But as in anything, discernment is always a must.

TEN OF MY FAVORITE HOLIDAY SHOWS

Ever so often, someone will ask me what my favorite Christmas show is. There is no easy way to answer that, since I enjoy so many. So about two years ago, I made a list (and checked it twice) of specials and movies that I enjoy over the month of December. I dug it out, made a couple of changes, and will now post it for your viewing enjoyment.

A few notes before you start reading:
1. The list is no particular order. There is no significance to listing one above the other. They are totally random and non-alphabetized.
2. I limited the list to ten (plus one special bonus), but that doesn't mean there aren't more that I enjoy.
3. You can agree or disagree on my choices or my brief summations, but be nice about it. After all, you wouldn't want a lump of coal in your stocking.
4. As in all pop-culture offerings, I urge folks to use caution. Parents, watch and discuss these with your children. In some cases (most notably Christmas Vacation), you may want to watch the "edited for tv" version instead, as it removes some of the more unsavory elements.

And away we go.....
Charlie Brown Christmas
"And that's what Christmas is all about, Charlie Brown." Poor Charlie Brown can't catch a break, even at Christmas time. What is so memorable about this holiday favorite is the clear, unapologetic declaration from the gospel of Luke about the true significance of the season. I don't know of too many secular shows today that could get away with that.

Jingle All the Way
"It's Turbo time!" The governor of California on the hunt for a Turbo Man action figure on Christmas Eve. Yup, it's a commentary on the insanity of marketing and merchandising. Of course, it casts a nod and a wink at the madness of Christmas Eve shopping. No, the characters don't behave very nicely. But at its heart is a touching parable of being a father and keeping promises.

A Christmas Story
"You'll shoot your eye out, kid." A slice of nostalgia featuring young Ralphie and his quest for a Red Ryder BB gun. Although set at a time before I was born, I still recognize a lot of elements from Christmas' past.

National Lampoon's Christmas Vacation
"Later, dudes." The idealism of Gus Griswold verses a cynical universe. I can relate to Gus' desire to have a picture perfect Christmas, as well as the frustration of nothing going the way I pictured it.

Miracle on 34th Street
"I believe." Okay, it's not rocket-science, but the "trial of Santa" is still one of the most enduring images of the holiday season, with just enough element of "is he or isn't he?" to keep me on the edge of my seat. Wow...what would John Grisham have done with this plot? (side note: much maligned and not as gripping, the modern remake is still worth a look...a remarkably innocent and faithful treatment).

Rudolph the Red Nosed Reindeer
"I'm cued, she said I'm cued!" I struggle with this tale every year...it seems that everyone is a little hard on Rudolph. But the songs are classic and the Bumble steals the show (trivia point: why does the head elf's voice suddenly change? 1000 Teacher Tim points to the first person who has a good answer).

Frosty the Snowman
"Happy Birthday!" Another classic with a memorable story line (for the record, I cannot stand the sequels).

The Santa Clause
"Did you just growl at me?" Tim Allen in a fun story of a sales rep who becomes the big guy. It is hilarious watching his gradual transformation and attempts to explain them to this family and co-workers. The sequels were good, but I did not like them as well.

The Best Christmas Pageant Ever
"Hey! Unto you a child is born!" This is mandatory viewing for all children's ministers and others involved in putting on Christmas programs. The horrible Herdmans take over the church Christmas pageant and it's up to Loretta Swit (from MASH) to ride herd. Very touching and emotional ending.

Home Alone
"Ahhhhhhggghhhh!" The highly improbable story of a kid who defends his home against a pair of burglars after being left behind by his family. This is a live action cartoon, with very creative injuries being inflicted upon the bad guys that would hospitalize a real person. But the touching reunion at the end is good, with the importance of family being reaffirmed.

In a category by itself: It's A Wonderful Life
"Every time a bell rings, an angel gets his wings." Some movies rise above lists. This is one of them.

RVCMN CONFERENCE 08 REPORT

I just returned from the Rogue Valley Children's Ministries Conference, put on by (who else) the Rogue Valley Children's Ministries Network. While I have been blessed to attend the BIG conference (CPC in sunny San Diego), I always make it a priority to attend our local annual conference. This year, it was a little further from home (approximately 30-40 minute drive), but the highway gave us a chance to admire God's creation.The event was held at Parkway Christian Center in Grants Pass with the host children's pastor Bryan Reeder.We had a small group (my oldest daughter snapped the picture. My younger daughter had to stay home with a nasty bug!). But there were smiles all around throughout the conference.The keynote speaker was Jason Noble, director of CMA (Children's Ministries Agency) in the Assemblies of God. In the course of our conversation between sessions, I found out that he and his wife have family in Eagle Point (our home town)! The theme for the conferecne was INVEST, INCLUDE, IMAGINE. Mr. Noble developed the theme in three general "gatherings". During the second gathering, he invited us (ordered us?) to move to another table and answer some questions with people we've never met before (Hi there, Jan and Heidi!). One of the most provocative statements Jason made was that burnout is not the result of too much work, but rather the result of "dream deficit." He ended the day by challenging us to regain and refresh the dream and vision God had for our children's ministries.

There were workshops covering a variety of subjects. Since our children's ministry is starting to explore how best to meet the challenge of special needs kids, the first workshop I attended was on special needs. It was encouraging and thought-provoking. I also attended workshops on teaching the Bible and tips and techniques for teaching using powerpoint.

Before we knew it, the conference was over and we got loaded in the van to start the trip back. We shared some of our insights, compared notes on workshops, and thought of ways to implement what we learned.

CHECK OUT JELLY TELLY

Not much to add to this link (and I'm really late mentioning it!), but here's the next big thing in children's online entertainment: Jelly Telly. Going to this link will take you to a video that is about 30 minutes long, but well worth it. Jelly Telly comes to us from the heart of Phil Vischer, the creator of Veggie Tales. This promo video introduces the viewer to a new platform for reaching kids on their level.

I had the privilege of listening to Phil Vischer at the 2007 Children's Pastor's Conference in San Diego. He's a man with a heart for the Lord and for children. In this day and age of Nickolodeon and Disney Channel, Jelly Telly looks to be an exciting alternative that, in my humble opinion, we should all get behind. So check out the video and get ready to see the birth of a fresh wave of quality programming for kids.

SPECIAL REPORT: RVCM NETWORK CONFERENCE 07

Rogue Valley Children's Ministries Network

"It is easier to build a child up than to repair an adult."

That was one of the earlier insights by Kevin Geer, keynote speaker at this year's regional Children's Ministries Conference, sponsored by the Rogue Valley Children's Ministries Network. It was a cool, cloudy morning as our group arrived at the absolutely gorgeous Bethel Church in Medford. This conference is a highlight of the year for our team of KidServants...a time of fellowship, music, workshops, and equipping. In years past, we've had speakers from all over the country come with their encouragement, challenge, and inspriration. Kevin Geer was no exception.

Bethel Church, located high on the hill on the outskirts of Medford

Mr. Geer, who is the Children's Ministries Director for the Northwest Ministry Network of the Assemblies of God, developed the theme of INVEST-INCLUDE-IMAGINE in three general gatherings. In the first session ("INVEST"), Kevin challenged us to invest in children, but also to invest in our families and in ourselves.

The second session ("INCLUDE") took the form of a panel Q & A with other children's ministry leaders fielding submitted questions. The point was to demonstrate the need to network with other ministers.

The third gathering ("IMAGINE") drove home the idea that, in spite of what we imagine ourselves to be, we are ultimately those made in the image of God.

The general gatherings also featured praise music by the Michael Bahn Band. We were also treated to an outstanding puppet presentation by the Faith Puppeteers! The general sessions were punctuated by the workshops, which presented a variety of topics along different tracks. I managed to pick up some books at the vendor's tables (budget prevented me from buying more, but oooooboy!)

Faith Puppeteers rock out to the B-I-B-L-E

There are dozens of outstanding conferences during the year. As the Lord provides funds, I like to attend the CPC in San Diego. There are other opportunities to learn, fellowship, and network on a huge scale (Kid U, Northwest C.E. Conference, Saddleback, etc.). But I would encourage anyone and everyone to check their local children's ministry associations and networks for smaller, regional conferences which provide a great opportunity to build yourself up with men and women who are in your neighborhood and with whom you can have coffee without having to drive hundreds of miles. It is a blessing and a half (as a friend of mine is fond of saying).

I FOUND A NEW GAME

Okay, I like games, but I'm not what one could call a devoted game player. That, plus the fact that I was very tired the afternoon of my mother-in-law's birthday picnic, caused my dear family to say, "you could take a nap in the motor home while we play games at the picnic table." I thought that sounded good...plus I brought a book and some studying materials with me.

Well, it was cold outside and leftover winter snow had buried any chance of picnic table games (see previous post for details). So the family had game time inside the R.V. Since sleep was impossible (and after a little coaxing), I participated. The game: Charoodles!

I don't know how long this game has been around (knowing how much I follow games, it's probably been blogged about a dozen times in the past decade!), but I was pleasantly surprised. It is played like charades, only the participants are given four objects to use as props: an orange foam ball, a tube like thingy, a cup, and square piece of foam. You announce the category and then you have a short time to act out as many items on the list as possible. For example, the category could be "things to do on the beach". Items would be surfing, volleyball, swimming, eating, etc. Some of the categories require you to use a specific prop, while others are open. But a prop must be used and, just like charades, you cannot say anything.

What I liked most about the game is that it reminded me of and reinforced an activity from a children's workshop I attended; namely that as children's ministers, we can look at ordinary objects in extraordinary ways. A stick becomes a sceptre. A yo-yo becomes a pendulum. A couple of paper tubes becomes a pair of binoculars. Those of us who work with children are used to "thinking on our feet" with this stuff. Of course, there's a larger lesson at work as well: we need to have the imagination and courage to think outside the proverbial box, to see things not as they neccesarily are, but what they may become.

I'm very seriously considering taking Charoodles to our next staff meeting. It'll be fun!